(Source: lesbiantemptations, via gentlebranches)
(Source: lesbiantemptations, via gentlebranches)
George Segal, Helen II, 1987, Aquatint, soft ground and drypoint on copper plate
(via gentlebranches)
Georges Rouault: Odalisque, 1906.
For Booster, Rauschenberg decided to use a life-sized X-ray portrait of himself combined with an astrological chart, magazine images of athletes, the image of a chair and the images of two power drills.
His aesthetic strategy, embracing screenprint on canvas, assemblage, set design, and performance, is based on collage and juxtaposes objects and images from the everyday world to elicit their effects on each other and to stimulate an almost poetic response in the viewer.
Kiki Smith, Selfportrait, 1996, photographie
Ervand Kochar
